The front desk of the building: one fixed desk card, held across a whole series. Standard frames at 6 credits, premium kept for covers.
Standard text-to-image: 6 credits per image — and your daily check-in hands you 6 credits free, so today’s first frame can cost nothing. Every job shows its exact cost before you confirm it.
Every commission handled in this building starts at the same counter: a fictional adult woman, described once and described properly. The standard model renders a tall 832×1248 frame for 6 credits; the premium model, at 41 credits, is reserved for the frames that will front a pack or carry a profile. Between those two costs sits the whole craft of the generator, and it is a concierge’s craft: the character’s description is her desk card, and a desk card is never rewritten from memory halfway through a commission.
Write the desk card with five fixed lines, always in the same order: her age as a plain number, 34 or over here by desk habit; her hair — colour, length and one habitual style; her build in two or three words; one or two enduring facial details; and a signature — the stud, the small mark, the detail that lets a viewer know her even in a tight crop. Paste that card, word for word, at the head of every prompt. Beneath it, a single changing line carries what varies: the outfit, the room, the hour, the light. Hold the card steady and each new frame can be judged honestly against the register; let it drift and no desk in the building will bring her back.
Concrete lines survive being passed from desk to desk. “Raven-black hair in a high ponytail wrapped with a champagne-gold silk cord” renders the same woman every time; “glorious hair” is a mood, and moods are reinterpreted at every generation.
Make a set in one setting under one light, then move a single thing onward. A series is built from deliberate single changes, not from re-rolling a prompt and hoping she stays herself.
Generate generously at the standard cost, then cull hard against the desk card. Edits, swaps and upscales are finishing costs — spend them only on frames that earned their place.
Brief seven frames of one character in one session, and the feed never waits on inspiration mid-week.
The frame at the front of a pack, made to the same desk standard as the set inside it.
Stills composed with room to move — space around the subject, a direction left open — ready for the video desk.
“Fictional 36-year-old woman, raven-black hair in a high ponytail wrapped at the base with a champagne-gold silk cord, warm ivory skin, a small emerald stud in her right ear; emerald-green velvet corset lingerie set with champagne lace trim and a sheer ivory robe slipped off one shoulder, standing at an ivory concierge desk in a grand city hotel lobby with emerald marble columns and warm evening light behind her, editorial photograph.”
Everything before the semicolon is the desk card — it never changes. The line after it is the only new thing in this frame.
“Fictional 36-year-old woman, raven-black hair in a high ponytail wrapped at the base with a champagne-gold silk cord, warm ivory skin, a small emerald stud in her right ear; the same emerald velvet set, standing against a plain ivory studio wall, one shaft of evening light from the left, editorial photograph.”
A bare wall is the honest test of a desk card. If she is still herself against nothing, the card is sound and the set can be trusted.
| Setting | Standard model | Premium model |
|---|---|---|
| Cost | 6 credits | 41 credits |
| Kept for | Series work, daily frames, volume | Covers, hero frames, the one image everyone sees first |
| Method | Generate many, keep few | Brief slowly, generate few |
| Symptom | Cause | Correction |
|---|---|---|
| The character changes between frames | The desk card was rewritten from memory | Paste the same card every time; vary only the line below it |
| The frame feels crowded and unsettled | Too many objects and actions in one brief | One setting, one action, one light source per frame |
| Hands and small props break | Hands asked to hold fine detail | Rest the hands, or crop the frame at the waist |
Yes. Registration is free, and the daily check-in gives you 6 credits — exactly the cost of one standard frame. That is one picture from the city desk every day, for as long as you keep checking in. Credit packs are there for the days when the workload runs longer.
A standard frame costs 6 credits, shown before you confirm the job. The premium model costs 41 credits and is best kept for covers and hero frames rather than daily series work.
Write her desk card once — age, hair, build, face, signature — and paste it unchanged at the top of every prompt. Change only the outfit, the setting and the light in the line below it, and judge each result against the card.
No. Frames rest private in your account. Only what you deliberately publish appears in the gallery, and unpublishing takes effect immediately.
A tall 832×1248 portrait frame, ready for feeds and stores. When a destination asks for more, the image upscaler on the finishing floor is the last stop.
Drafts, edits, animation and finishing share one credit balance and one private library. Start with the piece you need today.
Open the generator